John Picton
Domaine de recherche | l'Afrique |
Pays de résidence | Royaume-Uni de Grande-Bretagne et d'Irlande du Nord |
Titre | Professor |
Affiliation | SOAS, University of London |
Adresse électronique | |
Pays de spécialisation | Nigeria |
Recherche | Nigerian art and archaeology, especially Yoruba, Benin, Northern Edo, Niger-Benue cultures |
Enseignement | Disciplinary problems in the history and sociology of art; the visual culture of Africa and the diaspora; the art and archaeology of Nigeria; Yoruba and Benin sculpture; Ebira, northern Edo and Niger-Benue confluence cultures; textiles, masquerade, painting; Protection of antiquities; history and anthropology of visual arts; the legitimate development of art collections for museums; current and past traditions of visual practice in the contexts of cultural, ethnic, political and national identities. |
Publications | (2011) "Ebira masquerade and its histories" and "Ebira and the Niger-Benue confluence: material culture and masquerade; artifact and identity revisited"
(2009) With Charles Gore.
(2008) "Seeing and wearing: textiles in West Africa," In: The poetics of cloth: African textiles, recent art. Edited by Lynn Gumpert. New York: Grey Art Gallery, New York University. (2005) "Made in Africa" In: Africa remix: contemporary art of a continent. Edited by Simon Njami. Ostfildern-Ruit: Hatje Cantz; New York: [Distributed by] D.A.P. (2003) With Geroge Chemech and John Pemberton III
(2002) "Neo-Traditional Sculpture in Nigeria" and "Coffins and Funeral Art" and "Tradition and the 20th Century" In: An anthology of African art: the twentieth century. Edited by N'Goné Fall and Jean Loup Pivin. English language ed. New York: D.A.P./Distributed Art Publishers ; Paris: Revue Noire Éditions, African Contemporary Art. |
Mots-clés | Nigeria ; Yoruba ; Ebira ; Niger-Benue |